Recording and Producing a Radio Play
Filed under Podcasting
Podcasts are now common place, with almost anybody being able to produce one themselves if they wish. However, with a little thought and a little extra effort, it’s possible to take this new medium to a whole new level and produce your own radio play.
Thanks to the advent of digital audio and the power of modern PCs, it’s now well within the capabilities of virtually anyone to produce and publish their own radio play using the same technologies as used in podcasting.
As a small kid I remember producing plays with my toys, an upturned stool for a theatre, a few torches and the tales of Peter Rabbit by Beatrix Potter
as a script. Since then my interests graduated to music production; I played in numerous bands and have always been keen on recording bands as a hobby.
However, my recent visit to an audio post production film editing suite at Pinewood Studios, re-sparked my interest in plays (I’ve always been a fan of the BBC’s radio series: The Hitchhiker’s Guide to the Galaxy) and got me to thinking about using the same equipment that I use for podcasting, but pushing it’s use a bit further.
All I needed was some creative inspiration, but in it’s absence, I did the next best thing and borrowed it from someone else…

By now you’ve probably heard of the term “bit rate” used in connection with MP3 tracks and podcasts, you may even know that higher bit rates give better quality audio. However, like most things in life, nothing is simple and we can further complicate the whole bit rate discussion with variable and constant bit rates. So, what are the pros and cons of these constant and variable bit rates?
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